Academic essays on twin peaks

The best video essays of 2017 sight & sound bfi

The best video essays of 2017 sight & sound bfi
Its been another boom year for the art of movie-based movie criticism for better and sometimes worse. Lee and david verdeure asked 33 top.

The chair is old and much used, its seat beaten over what have clearly been thousands of hours into the form-fitting mold of a bottom, a bottom quite a lot larger than mine-the bottom, in fact, of a combination workaholic and inveterate doughnut eater-and for an epiphanic moment im convinced im sitting in mr. While the creepy-video thing is under way, there are also some scenes of bill pullman looking very natty and east village in all black and jamming on his tenor sax in front of a packed dance floor (only in a david lynch movie would people dance ecstatically to abstract jazz), and some scenes of patricia arquette seeming restless and unhappy in a kind of narcotized, disassociated way, and generally being creepy and mysterious and making it clear that she has a kind of double life involving decadent, lounge-lizardy men. Film sound is transient, and this makes it difficult to analyse in specific terms, but this video essay shows its by now means impossible. In 1995, pbs ran a lavish ten-part documentary called american cinema whose final episode was devoted to the edge of hollywood and the increasing influence of young independent filmmakers-the coens, carl franklin, q. His video delves into the limitations of digital de-aging and brilliantly conveys the ethical unease of digital resurrections.

After several years producing video essays for fandor, kevin b. I made this tribute for harry dean stantons birthday, and when he died it became the most popular thing ive ever done on social media. But then so driving home from the party, bill pullman criticizes patricia arquettes friends but doesnt say anything specific about the creepy and metaphysically impossible conversation with one guy in two places he just had, which i think is supposed to reinforce our impression that bill pullman and patricia arquette are not exactly confiding intimately in each other at this stage in their marriage. I am allowed to pull up a padded desk chair and sit there right in front of one of the monitors while an assistant editor loads various bits of footage. It , s like, if youre a doctor or a nurse, are you going to go buy tickets to see an operation for fun in your spare time, when youre done working? This film represents schizophrenia performatively, not just representationally.

Blue velvet was, again, in its visual intimacy and sure touch, a distinctively homemade film (the home being, again, d. For another thing, he was a heavy smoker but never had his own cigarettes and was always bumming cigarettes from crewpeople who you could tell were making about i percent of what he was making on the movie. As misek puts it a brief respite from the visual precision of the ultra-high definition image. Here is my top ten, favouring personal stylistic preferences and cinematic interests and striving to strike some sort of overall balance, but without a doubt, all of them are really, really noteworthy. A lot of the camera and sound and makeup crew are female, but a lot of these, too, have a similar look thirtyish, makeupless, insouciantly pretty, wearing faded jeans and old running shoes and black t-shirts, and with lush, well-conditioned hair tied carelessly out of the way so that strands tend to escape and trail and have to be chuffed out of the eyes periodically or brushed away with the back of a ringless hand-in sum, the sort of sloppily pretty tech-savvy young woman you can just tell smokes pot and owns a dog. I especially like its ambitious and effective links to contemporary media texts, and the way it uses two different female narrators, mirroring the female performers search for meaning within the films. Briefly, but with a deep sense of emotion, it communicates cinemas tangibility within and upon our lives. Im including them here because theyre both the kind of video essay that seems to make itself in really obvious and uninteresting ways, but in both cases actually revealed more about the work than i was anticipating. And as for lynchs serene detachment from peoples response, ive noticed that, while i cant help but respect and sort of envy the moral nerve of people who truly do not care what others think of them, people like this also make me nervous, and i tend to do my admiring from a safe distance. Menno is a friend of mine and i know him as a film enthusiast in the most exuberant sense of the word.

Lost highway article - premiere sept 96 - lynchnet
In which novelist david foster wallace visits the set of david lynchs new movie and finds the director both grandly admirable and sort of nuts.

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Another example after the last car-filming run and return to base, as people are dismantling cameras and bounces and chesney is putting the unused film under a reflective nasa blanket, lynch, three times in five minutes, says golly! Not one of these times does he utter golly! With any evident irony or disingenuousness or even the flattened affect of somebody whos parodying himself. Besides all of them (i would never be able to choose just one or a few!), these are my camera angles and movement analyzing the coin toss scenes in no country for old men you can change your nickname only twice identity in the films of yorgos lanthimos this feels like a short film about the inability to communicate and the melancholy inherent in some of my favourite italian films. Art film is essentially teleological it tries in various ways to wake the audience up or render us more conscious. Eddy, played by robert loggia, is a menacing crime boss-type figure with a thuggish entourage and a black mercedes 6. A films director usually has a number of assistant directors, whose responsibilities are different and firmly established by hollywood convention.

This essay is incisive, sweet, and brings up new points of view i hadnt considered before. I sometimes wonder if it is enough to merely re-cut films and hope that, through careful juxtaposition and layering of the films already existing images and sounds, a video essay adds something new. The chair is old and much used, its seat beaten over what have clearly been thousands of hours into the form-fitting mold of a bottom, a bottom quite a lot larger than mine-the bottom, in fact, of a combination workaholic and inveterate doughnut eater-and for an epiphanic moment im convinced im sitting in mr. One of the technical women, the productions still photographer, has on the inside of her forearm a tattoo of the japanese character for strength, and she can manipulate her forearms muscles in such a way as to make the ideogram bulge nietzscheanly and then recede. This was a timely piece, from the beginning of the year, when the nation was still processing the shock of the election and no less the new first lady.

Like the virus that compels amazonian carpet ants to climb tall leaves of grass until their brains explode, this one compels audiences to stay home, making studio executives brains explode. Lynchs movies tend to be both extremely personal and extremely remote. Ive thought of him as kind of a watered-down version of the already pretty watery jeff daniels. And its greatness is a direct result of lynchs decision to stay in the process but to rule in small personal films rather than to serve in large corporate ones. Jarmuschs 1984 stranger than paradise, which, in terms of cinematography, blighted setting, wet-fuse pace, heavy dissolves between scenes, and a bressonian style of acting that is at once manic and wooden, all but echoes lynchs early work. The overall result is a movie thats funny while its trying to be deadly serious, which is as good a definition of a flop there is, and dune was indeed a huge, pretentious, incoherent flop. Catherine grant continues to be at the forefront of using the medium to do so. In some ways it seems that lynch was miscast as its director eraserhead had been one of those sell-your-own-plasma-to-buy-the-film-stock masterpieces, with a tiny and largely unpaid cast and crew. Hes large, not exactly fat but soft-looking, and is far and away the palest person anywhere in view, his paleness dwarfing even the head-shop pallor of the lighting and effects guys. Quentin tarantino would not exist without david lynch as a touchstone, a set of allusive codes and contexts in the viewers midbrain.

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